It must have looked quite comical as I needed a helper to hold each leg of the table to which I had G clamped the Big blue extruder. There were one or two mishaps, such as I managed to put one of the die plates on upside down so that instead of a hollow pipe, my handle fell into two bits. Then I didn’t spend long enough wedging the clay so it was full of air bubbles and one of my handles split, and I didn’t make enough spares. However, to be fair it mainly went well, and the timing, which was probably the bit I found it most hard to judge seemed to work out. By lunch break I had managed to throw, bend and slump the dishes and extrude the coracles, leaving the afternoon for assembling. I did feel more relaxed as the day went on, as I had the sense that the audience was interested and everyone was exceedingly nice and helpful. It felt very strange to be ‘clapped’!
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As I packed up I had to sign the wheel which I felt was a bit of a cheat seeing as I had only thrown a sailor and a gannet, and the other signatories were huge throwers such as Nick Collins!
I was told later that a lot of other demonstrators bring a helper, I can see now that this would have been useful. It was the little things, like not having time to clear before the next stage, which I found tricky, so I kept losing tools, and often had to ask the audience if they had seen something. Also I hadn’t taken on board that I might be selling work. Felicity kindly sorted this side out for me as there was no way I could handle it.
On the way home I stayed over at Oskar’s where he and Rachel had a very large whisky ready for me. (Don’t worry. it’s not a habit, but it was a welcome dram that evening).
I decided to meander home and just enjoy my outing, so on the way home I called in at Jim Robison’s Booth House Gallery, hoping there might be some of his 70 at 70 show still remaining. Indeed a lot had gone, but it was still on and it was a treat to be shown round his woodland walk. The trees which he and Liz had planted when they first moved there, and were once dwarfed by the pots, have grown into a wood which is now the setting for a collection of Jim’s wonderful large ceramic sculptures. In some of the latest pieces he has incorporated chunks of thick glass, which create a kind of iridescent ‘stopper’ or crown. All very exciting and inspirational. (Sorry I didn’t have a camera).
I then called in at the Yorkshire Sculpture Park where there is an exhibition of David Nash.
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Already blown away by the scale of Jim’s pieces, I stood in awe, humbled and moved in the presence of these towering pieces of wood.
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I got back to Rodger and Inigo busy insulating the workshop floor. Rodger had been told by his consultant that he in no way to grub around under the floor boards, so Inigo instead was (not) enjoying the experience of feeling ‘like a Chilean miner’.
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It should help as at present the boards rest on a stone dyke with air blowing through. Loft insulation is the next thing, Inigo and I will have to toss for that one.
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It was a very special birthday yesterday. Rodger's new stem cells were one year old. We had a toast with champagne to them, and to his anonymous French donor.